[Maman painted Verso with so much love and emotion. Maelle is nowhere near as skilled, but she practices. Lune and Sciel, in retrospect, were easy. Their chroma wanted to be again, and Verso had helped guide her hand. The expeditioners took less care, less thought, because all Maelle knew about them was that they were willing to fight to defend their home. The finer details could come later.
Lumiere is where she allows herself to be creative and she tries to emulate what she thinks came before her parents inflicted so much damage upon Verso's canvas. The sun shines brighter, and people are happy. The harbor is full of laughter and festivities every day and every night, and Maelle practices more and more. Families. Large ones. There are grandparents and parents and children and grandchildren and no one is a sad, lonely orphan.
No one, except for her. There's a loneliness that creeps into her chest when she doesn't expect it. It's not Papa or Maman that she misses. She'll see them again, eventually.
It's Gustave. But she can't be impatient. She must do this to the best of her ability.
She loses track of time until one day, she feels ready. She's made everything perfect. Their home is as it was, but the sun shines brighter through the windows of Gustave's bedroom. The nerves Maelle feels gives her the last push of encouragement--oh, she's missed him, but it's that longing that will bring him back to her. Through two sets of memories, he's always been vibrant and clear. The brother she needed when she had lost hers. The father she needed when hers wasn't there. Gustave gave her a family she could have only ever dreamed of, and for that, she wants to give him everything he could have ever wanted.
That begins with life.
It takes longer than she'd like, and the concentration threatens to make her temples pound, but she paints him. Slowly but surely, he returns to their painted world, expedition uniform clean and intact despite her memory of blood, so much blood on the fabric and her face and the warmth and the scent of it. By the end, the finishing touches take the last of her energy, and she stops both because she's done and because her eyes are tired. Her palms press into them for a moment before she drops her hands and looks at her masterpiece, heart rabbiting against her ribs.]
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Date: 2025-05-28 01:03 am (UTC)Lumiere is where she allows herself to be creative and she tries to emulate what she thinks came before her parents inflicted so much damage upon Verso's canvas. The sun shines brighter, and people are happy. The harbor is full of laughter and festivities every day and every night, and Maelle practices more and more. Families. Large ones. There are grandparents and parents and children and grandchildren and no one is a sad, lonely orphan.
No one, except for her. There's a loneliness that creeps into her chest when she doesn't expect it. It's not Papa or Maman that she misses. She'll see them again, eventually.
It's Gustave. But she can't be impatient. She must do this to the best of her ability.
She loses track of time until one day, she feels ready. She's made everything perfect. Their home is as it was, but the sun shines brighter through the windows of Gustave's bedroom. The nerves Maelle feels gives her the last push of encouragement--oh, she's missed him, but it's that longing that will bring him back to her. Through two sets of memories, he's always been vibrant and clear. The brother she needed when she had lost hers. The father she needed when hers wasn't there. Gustave gave her a family she could have only ever dreamed of, and for that, she wants to give him everything he could have ever wanted.
That begins with life.
It takes longer than she'd like, and the concentration threatens to make her temples pound, but she paints him. Slowly but surely, he returns to their painted world, expedition uniform clean and intact despite her memory of blood, so much blood on the fabric and her face and the warmth and the scent of it. By the end, the finishing touches take the last of her energy, and she stops both because she's done and because her eyes are tired. Her palms press into them for a moment before she drops her hands and looks at her masterpiece, heart rabbiting against her ribs.]