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Date: 2025-05-22 01:32 pm (UTC)
versorecto: (Default)
From: [personal profile] versorecto
[ Verso's eyebrows lift ever so slightly, the corner of his mouth quirking upward when Gustave hesitates. That moment of sheepishness, tongue flicking out over his lower lip -- almost cute? Yes. Cute. But if there's some teasing about it in his eyes, he doesn't give voice to it, just watching as the other man considers his offer to cross the threshold the stage creates between them, until he makes his mind. He keeps watching him as he turns away, considering his words ( sisters, one is Maelle, surely -- ) and how they pull a little a the quiet weight in his chest.

Something in him relaxes a little more, when Gustave pulls the door shut, a quiet relief -- he'd like to play more, would like to have less chance of the music drawing any more attention from any curious passerby, god forbid, from Maelle coming to look for her guardian. And as the sliver of light that pours in from Lumiere beyond vanishes, it feels almost like the space in the hall doubles in size. The silence that much more profound, a building designed to ensure even whispers on stage can echo out to the furthest seats and the balconies, but not beyond them, to keep it all in. But its just them here. Anyone could open that door, but there's something that makes this feel -- private. Intimate.

Still a bad idea, probably. Something he'll berate himself for later. But like Gustave can't pass up a private show, maybe he genuinely can't pass up a private audience, a rare chance to just have someone hear him, for however long this moment lasts. Every footfall echoes throughout the opera house, every step louder and louder, suddenly giving Verso plenty of time to ponder how he's invited the man closer.

Verso watches Gustave move up, his gaze lingering briefly on his face, his frame, a curious flick towards his arm before his eyes turn back to the keys. After a moment of pause, wordlessly he shifts slightly along the piano bench, a silent invitation to sit beside him. ]


Now I have to make this private show worthy of your time, and your sisters'?

[ A quiet, amused sound. he flexes his fingers over the keys, and even the quiet crack of his knuckles sounds a little too loud, in the space. ]

I hope I'm up to the task.

[ Part of him feels almost -- nervous. Absurd. Not like he hasn't lied to expeditioners before. ... Maybe its the opera house, being on stage again. But as Gustave's footsteps sound louder and louder, approaching from behind him on the stage, that feeling only heightens, and Verso just does what comes naturally: he plays. A little slow to start, a gentle hesitancy to the notes falling slightly behind their own rhythm, like he's a little unsure. But only for the first phrase, before Gustave even gets too close. The music is so natural, to him, flows from his fingertips like nothing. He knows a thousand songs by heart, but the tune that comes first is always the same, the one that Gustave heard briefly before, too: what he used to play for his sister, what feels like a lifetime ago.

When was the last time he played for someone? When was the last time he let himself play at all? There's a moment where the thought occurs to him that this instinct he has, to hide behind music instead of conversation when he's invited the man up here himself -- that he can't hide behind it at all, that it's more honest and intimate than any words he ever chooses to say. But the thoughts fade the more he plays, the more his hands remember what they've always loved to do. The music rings out, slowly filling that vast echoing emptiness in the opera house with a sweet and wistful yearning for a time long gone -- until a few minutes later as the melody finally resolves, his fingers lingering on those last notes as they echo and echo and echo, the quiet starting to return. ]

Date: 2025-05-22 04:21 pm (UTC)
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From: [personal profile] versorecto
[ That moment at the end of the piece and the last ringing of the final notes seem to stretch on, into the breath of the man now seated beside him. Verso had only half-registered Gustave's weight on the bench, so quietly swept up in what he was playing, and he loves playing, of course he does, but it really is different when played where it can be heard. Where its meant to be heard, even, in a space like this. It really does feel like a spell cast over the hall, that could almost bring him back --

-- Until it breaks. Interrupted just by Gustave's voice. Jarred back to reality, and as he lets go of a breath he didn't even realize he'd been holding, Verso might have been unhappy about being snapped back, except his head turns, and well. Gustave's smile is warm, painfully earnest, clearly genuinely appreciate of what he's just heard and witnessed, but the combination of that smile, those words.

Verso laughs, a quiet sound, half to himself but unquestionably genuine, twisting slightly to face Gustave properly and flourishing an arm in front of him. A performer's bow, or at least gesturing towards one without standing. But as the music fades -- everything else begins to settle back in. Not quite fully held at bay by the silence of the hall, the now-closed doors. Part of Verso's mind reeling back and taking careful stock of what he can and can't say, of the utter absurdity of this man's earnest appreciation next to someone who's been secretly watching him and Maelle for a while, now.

An idle trill sounds out from the piano, reflexive and involuntary, from his hand still on the keys. He doesn't quite want that reality to set back in, just yet. Those few notes aren't enough to hold it at bay. ]


-- Thanks. [ He means it. He tilts his head to the side, wayward hair falling slightly into his face in a way that frames his quiet smile, his tone dry but in obvious good humor. ] Should I ever headline my own show, worth it will grace the cover every brochure.

Date: 2025-05-22 05:35 pm (UTC)
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From: [personal profile] versorecto
[ Verso had thought to perhaps ask the man's name, first -- what name should grace his reviews, perhaps -- but some small part of him had thought, perhaps, that there was some distant possibility that they could get through this entire interaction without exchanging names. Not entirely impossible, but also just absurd, because Verso knows his own mind well enough to know why he'd even think that. He lies so much, all the time, it comes easily, and maybe it'd have been nice to not have to pretend he doesn't already know the man's name, to just omit some things here and there. Get away from this without having had to lie through his teeth.

No use, of course. And why does he even try.

He notes the clear curiosity in Gustave's expression as he leans forward ever so slightly, and Verso himself doesn't lean back or away in turn, but he matches that curiosity with his own. He's caught quite a few glimpses of this man over his years of returning to Lumiere, but Verso's focus has always been on -- Alicia, on Maelle. Watching from afar, a distant guardian, but could never be as impactful as someone actually standing by her side like Gustave. He seems a good man, from the way he treats her.

And here, up close? Verso finds his eyes following the line of the other man's jaw, the shape of his lips as he holds his smile -- his eyes, bright, how his smile reaches the corners of them. A beat passes, a breath that's yet again a bit too loud in the silence. Staring for just a beat too long, or measuring out what to say. A bit of both. ]


You mean the words of a man drawn to strangers playing piano alone in the shadows aren't to be trusted, when it comes to musical quality? [ Another amused sound, a huff through his nose. Inwardly, Verso wonders how many would even be left in Lumiere by now who would consider musical critique a primary profession or necessity. With the way things are, with how few people remain . . . ] I happen to think the people might find an outsider review more compelling.

[ A pause. He finds his voice instinctively quieting the more he talks, especially with Gustave beside him now rather than standing in the aisles, less need to project to catch his ear -- but also every word, every breath still rings a little too loud. Especially when he answers; ]

Verso.

[ With a smile, a nod in greeting. ]

And who can I thank for my glowing review?

[ And so the lies begin again. Perhaps one day, Gustave might be one of those who might hear an apology. Right now, Verso thinks he probably won't. ]

Date: 2025-05-22 06:27 pm (UTC)
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From: [personal profile] versorecto
[ Verso doesn't mind the company, likes it, even. Over the decades, he's learned how to be on his own, can even thrive in it, but its a lonely existence punctuated by the occasional interactions that somehow always wind to misery -- the expeditioners, falling like flies, his father and the lines he draws, his sister and the pain she lives in. As much as he likes to think it's better alone, it still feels lonely. And this, he knows, is dangerous, but it might also be useful, someday down the road. He doubts Gustave is leaving Maelle's side anytime soon.

But its also just -- nice. Even through through the mask. ]


Gustave. [ He echoes back, acknowledging, like it's unfamiliar -- but he's never said the name before, at least, has only really heard it from Maelle. And whatever Verso's expecting, somehow it isn't the way Gustave looks down towards his hands, almost expectant, and back up. Smiling, even brighter somehow in a way that again just lights up those eyes, bold enough to just ask.

Merde, how utterly, worryingly disarming. The man is adorable. Verso laughs to himself again, playing another idle trill across the keys, a running scale that has him leaning further up the keyboard, enough for his shoulder to not just brush but press slightly against Gustave's, for him to lean cross his body slightly to reach the highest keys. Definitely on purpose, especially with how he takes the opportunity to let his voice lower just a little more, and answer him -- ]


How did you know I'm starved for praise?

[ The lot of artists and creatives and performers, he supposes, following the idle scale back down, pulling back away from him again. Still close. ]

Any requests? I'll take specific songs, if you have any in mind, but you can just give me -- a mood. A feeling. Anything.

[ Its been a long time since he performed. Its been even longer since he sat at a piano and played, in the sense of someone playing with his skills, with what he can do, having fun with the instrument, the music, the sounds. There's no lies in the music, for better and for worse. ]

Date: 2025-05-22 11:45 pm (UTC)
versorecto: (Default)
From: [personal profile] versorecto
[ The corner of his mouth quirks upward slightly when Gustave says it was just a lucky guess -- when his shoulder pushes just slightly against his own. He notes that the other man never leaned back or pulled away, and as his hand settles back on the center of the keys, notes that Gustave is giving the request some real, actual thought. He takes those few moments of quiet comtemplation to study him a little more. The line of his nose, strong, bold, gaze once again tracing his jawline, to his lips, his throat. A brief glance down his hands, gleaming metal and not. Verso doesn't know what the man does, has never observed that much. Perhaps that arm in his own work. He doesn't stare at it too much (it feels -- impolite), but he sees some of the mechanisms, the lines of engraved pictos.

And when Gustave decides . . . A happy memory, huh. He acknowledges request a thoughtful hum, another slightly amused smile when he turns his gaze back to the keys again. Something happy. Music is a language all of its own, and Gustave may have called himself no connoisseur, but how much did he hear in what Verso had played before? How much of that longing, how much of that -- pain?

Happy memories are few, now. Tinged with bitterness, with regrets, with the weight of the awful truth of everything. Often in the lonely nights he tries to see if he can tell which memories are his own, and which -- aren't. A futile exercise, a miserable one. Even papa, even Renoir, would tell him not to, that it only led to misery. But he can't help but wonder just where the seams are, where he was stitched together, where things were made -- and between all that. What happiness was there?

He starts to play. Like before, the first notes seem to come a little slowly, but this time its not quite because of nerves, but because he's finding te melody itself. No specific song, something improvisational, and happy or not there's something bittersweet to that first line or two as he settles in. Couldn't he just make something up, just play something generically playful, make up a story if he's asked to talk about it? Yes. Of course he can. But he's learning today just how much music will pull the truth from him compared to words, and he remembers family. Remembers Lumiere, before the Fracture. Taking off Alicia's mask, distracting her from her uncertainty but convincing her to dance with him a while, watching a smile form on her lips through the scars, Clea rolling her eyes nearby but not hiding her own little smile, too. He remembers this, remembers music, remembers playing for some of his family, or for people, for Julie, for others, a welcome sliver of happiness before he going back to the pressures of his family. And even after so much pain, out on the continent, desperate, alone -- he remembers things like having Monoco, playing games with him, blatantly cheating. Esquie not even minding.

The song is a little more technically complex than the one before -- perhaps in improvisation he can't resist the urge to show off just a bit to his audience. Its not quite purely bright and joyful and sounds more like finding those happy memories where he can. Clawing what joy he can manage from the jaws of something painful. The melody is bright, playful, sometimes dragged under by something but always soaring back. Pushing forward. Somehow. Somehow. Again, the last notes linger, defiant even as they strike out into the waiting silence.

Verso isn't quite smiling when he plays. But when he looks up from the keys and turns to Gustave, waiting for his promised praise, eyebrows lifted -- there's the smile, a little playful, expectant. ]


-- I was promised effusive.

[ Pay up, bucko. ]

Date: 2025-05-23 02:17 am (UTC)
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From: [personal profile] versorecto
[ Music is a universal language, something that would speak to any who are waiting and willing to hear it. But even then, not everyone can really hear it, give themselves to it, let it move them. Often because they hold themselves off, it takes a certain willingness to let yourself be vulnerable and connect to art, and often because they don't really need or want to, are happy to hear something pleasant and enjoy it on that level. But Gustave, Verso observes, almost can't seem to help himself. He can almost see how Gustave loses himself to his own quiet reverie, to a life and memories that Verso doesn't know about and has no right to, to whatever joys and pains the man has found for himself in oppressive shadow that looms over Lumiere.

Its nice to be -- heard.

Verso isn't expecting Gustave to literally rise to his feet, but, he supposes he did say effusive. The applause, so small and singular in the echoing opera house, might seem almost unintentionally sarcastic, especially with the overwrought praise, except for how there's so clearly a sincerity to it, an earnestness, how he'd seen in the moments before he asked for his praise that Gustave had been struck genuinely speechless.

Perhaps he was wrong, before. There is clearly part of him that might like a captive audience.

Verso stands to take his bow, a grand flourish, overexaggerated, and there's a moment somewhere there in that movement where he pauses. Considers. Makes a decision. And in that same movement of a bow, in the way of a stately gentleman at court ( a little comical given his rough-around-the-edges appearance ) -- he extends his hand, palm up. Offering it for Gustave to take, his head tipped up just enough to be looking up at him, meeting his eyes. Curious, letting it linger, though its clear he'll simply pull back if not taken, awkward as it may be. ]
Edited (edit for gr8 decsisionmaking ) Date: 2025-05-23 02:20 am (UTC)

Date: 2025-05-23 03:00 am (UTC)
versorecto: (Default)
From: [personal profile] versorecto
[ The hesitation, Verso was expecting, confusion, hesitation -- though it still lasts a bit longer than he was perhaps hoping for. What was he hoping for? Merde, he doesn't know, but any longer and he would've had time to second guess himself and think and remind himself how this is all a terrible idea. He has reasons for making sure few people manage to see him, let alone talk to him, in all of these little visits to Lumiere. Reasons for making sure he keeps the Expeditioners at arms length or even further whenever he meets them on the continent.

But he fails, doesn't he? He fails all the time at keeping himself distant, keeping away. That moment stretches just enough where Verso is about to maybe pull back, but then Gustave's hand settles in his own. Warm, solid, and immediately Verso realizes how goddamn long it's been since he's had any kind of contact with another person, his own fingers briefly twitching instinctively against Gustave's.

This clearly wasn't super well thought through, given how after he takes his hand, there's yet another beat, a hesitation hanging in the air. But then he moves, his hand squeezing gently over Gustave's, drawing it close as he drops his gaze. Its so light that it might even be scarcely called a kiss, his lips brushing against the back of his palm, dusting over his knuckles. ]


-- I am glad to play something worthy of my audience, monsieur.

[ There's humor in the words, but it's softer, quieter, a bit above a murmur that would be lost against his skin, just loud enough to be heard.

Its just nice to be heard. This could be useful, later. Maybe he'll never see him again. Maybe he just can't help himself with someone so earnest and eager to listen to him, in his appreciation of his music. Maybe its nice to have someone refer to him as a musician and not know him as anything else, as anyone else. Maybe, maybe --

-- In that same movement he straightens back to his full height. His thumb (rough, calloused, decades of living out in the Continent outside the mansion, of fighting with a sword and dagger) brushing against the side of Gustave's hand, fingers curling lightly into his palm before he lets his hand fall away completely. ]

Date: 2025-05-23 04:21 am (UTC)
versorecto: (Default)
From: [personal profile] versorecto
[ A little unsure, definitely adrift, but Verso is not naive, understands what he did. There are a thousand reasons he should have just slipped away into the shadows once he realized he wasn't alone here, but even outside of that, he didn't have a right to do this. Too forward, too much, knowing that Gustave is unlikely to see him again. But -- he'd wanted to.

That's it, at the end of the day. Gustave was there next to him, his eyes bright and earnest in his appreciation of what he'd just seen and heard. The out-of-season opera house is hardly well lit, but the bare shafts of light catch against the soft curls of his hair, the frame of his shoulders, the line of his nose. He likes the way he smiles.

The way Gustave's fingers had pressed against his own was featherlight and quick, could've been almost accidental. But they're standing there now, looking at each other, and Gustave's clearly not trying to leave. ]


Home.

[ Not a lie. Not a truth. The Continent is home in a way, and he's already been on Lumiere a bit too long this time. He leans his hip slightly against the piano behind him, not stepping away, just -- almost grounding himself slightly. His tongue wets his bottom lip as he looks back at Gustave. ]

-- Don't you have your sisters to attend to?

[ Its not meant to urge him away. A reminder and an actual question, both. ]

dork

Date: 2025-05-23 05:00 am (UTC)
versorecto: (Default)
From: [personal profile] versorecto
[ Verso's already starting to regret this, should have regretted this more before doing anything, enough to have taken it all back. Merde he knows better than this, and usually when he makes these mistakes at least its with Expeditioners on the Continent, never right here in Lumiere. Too dangerous, too risky, he shouldn't take chances, he was just here to continue keeping an eye on Maelle, for a time in the future, when the moment is right. His thoughts go in spirals sometimes, and he can feel himself tumbling down one now even as none of it reaches his eyes or his expression, even as he just seem sto quietly listen as Gustave talks.

Fascinating stranger? He liked just being monsieur le pianiste, but that's an additional role he's played before -- and admittedly, likes playing, even if it's usually in different circumstances. Gustave was always watching him closely, but he can see the slight shift in his eyes, uncertain but definitely interested, and Verso wonders just how the hell he can live with himself ( because he has to, because he has no choice ). What is he going to do? He should just leave. Make an excuse. He knows the opera house's backstage area, the back door, Gustave probably wouldn't, he could slip away before the other man has a chance to follow him.

But then Gustave keeps talking, asks about maybe tomorrow. His face scrunches up, that metal hand grasping at the air as if trying to find something for his words to hold purchase to, but it clearly doesn't work, because the man just keeps talking. And trailing off. And talking. And trailing off. And ... Suddenly that spiral is torn from him before Verso even realizes it, because he's laughing, again. Quiet, not mocking, just amused and almost fond. He looks like a puppy, it's adorable, it's disarming, it's --

Dangerous, his mind supplies. Absolutely dangerous.

He nods. His voice soft, except for that gravelly rumble in his chest. ]


I'll be here.

[ Putain de merde, if he's going to do this, he has to make sure the man doesn't at least accidentally invite him to a cafe in the middle of the city. ]

Date: 2025-05-23 03:06 pm (UTC)
versorecto: (Default)
From: [personal profile] versorecto
[ Unfortunately, when tomorrow night comes: Verso is nowhere to be seen. The off-season opera house is back to being as lonely a it always is. But the fallboard is lifted, the keys exposed, and if that wasn't enough of a sign that someone had still been by, there's a note, tucked neatly on the corner of the music rack. The paper is a bit worn, one edge uneven like its been torn from a journal. The ink is fresh enough that depending on how early Gustave comes by, it might even smudge under his fingers, the script neat, legible, a well-trained hand.

Just two words: ]


I'm sorry.

[ But a little more: in the corner, off-kilter enough to be clearly hand drawn: musical staves, a treble clef. A simple melody, just over two bars. Its based in something from the improvisation he'd played for Gustave: something bright that seems to almost get pulled under by some dour notes, but then pulls free again. ]

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